Showing posts with label Poems by Ulrich Wendt. Show all posts
Showing posts with label Poems by Ulrich Wendt. Show all posts

Friday, December 10, 2010

Two Poems by Ulrich Wendt. .

Poet Ulrich Wendt writes about his mother:

These two poems, Opening Passage and Gleaning were inspired by the life of my mother Ursula Wendt, a poet and artist from East Prussia.

 Toward the end of the Second World War in Europe, Ursula brought ten people to safety in the west in advance of the invading Russian troops. She came to Canada as a refugee in 1951, together with her husband and her four children. Two more were later born in Canada. Opening Passage was written after I went with Ursula to visit her homeland as the cold war was ending. The closing lines are her own words.

Gleaning deals with the hungry years between 1945 to 1948, when one in four refugee children in that area died of the consequences of malnutrition and exposure.

Ursula Wendt died in Nova Scotia, November 30, 2010 at the age of 93.

Opening Passage

On a day this clear, you can see everything.
Beyond the silver-blue line on the horizon is the homeland.
From there, a grim ragged rest of field-grey soldiers held open the passage
for those few who still had luck on their side.

Children listen! We were with the lucky ones.
For in the black waters beyond Cap Arcona, lie bones.

In the soft, amber-laden sand, lie bones.

In ruined Koenigsberg, where Emanuel Kant
once balanced reason with the cold, precise necessity of experience –
balanced reason with a kind of patient, careful passion, lie bones.

Where ice once broke to swallow up a living line –
horses, wagons, people -
losing at last their race with the coming, awful day, lie bones.

Where my first-born son came howling into the world –
hungry to live, hungry for milk and blood, lie bones.

And where the first, the finest house once stood, where soft rich earth
threw up the most fantastical fruit and flowers,
lie bones and bones and bones.

Children, listen! Fortune also wants its price.
We, the lucky, exiled dispossessed must balance passion with reason -
must hold a soft, unbitter, gracious heart.
For is it not also a kind of evil, to only weep on your own stones
and not on the stones of others?

Wednesday, September 30, 2009

Apocalypse for One

Apocalypse for One

Here comes the millennium and look,
there’s signs and portents aplenty:
the flood, the juke-box comet –
haley bop… haley bop
and heaven’s gate swung open wide
for the few brave spacey pioneers.
flat out horizontal, knackered out and all.

And this is what they know now
too late to do them any good
too late to bring back the missing part, say
or to wonder – maybe the spaceship isn’t stopping, say
or maybe we got the wrong day , say.

But this is what they know now:
apocalypse for one is just as big a deal as apocalypse for all.
Just wait a while and boom we got your dead guy
stiff like a board – hit by a bus, say
in no shape to consider or to care if it’s just him
or the whole damned world that went kablooie.


© Ulrich Wendt, November, 2007

Tuesday, September 15, 2009

There are Poets Among Us - Beware

There are Poets Among Us – Beware

Gentle ladies, gentle men:
guard well your purses and your tongues,
there are poets among us tonight – beware!

Which is to say there are among us liars,
cut-throats,
fire-brands
and thieves!

Nasty brutish, slouching, wild-eyed misfits, wantons,
ill-dressed anarchists, disturbers and destroyers - poets!

Beware, take heed!

If you value how things are, and lawns all kempt,
the nation’s youth tatooless, lips unpierced and ears
and hair slicked back and shiny teeth -
then fear these poets! Shun them, fear them!
Show them to the dogs, I say!

Gentle ladies, gentle men,
all in ruins lie the nations, cities, Egypt, Athens, Winnipeg and Rome –
and all because they honoured poets!
Guard your purses and your tongues –
the walls have fallen down and poets at the gates!

© Ulrich Wendt, 2008

Wednesday, September 24, 2008

An intriging poem by Ulrich Wendt

Mr. Livingston

Mr. Livingston is a lens-grinder. How?
His daily work among the dials,
the burning oil, the powdered glass
like sugar, cocaine, snow
is over and over and over vari-grey
tone-lite, tone-ray, blue, green
and the occasional lens bursts into flame.

If you are free this evening,
he will take you slowly down. The grey March rain
has wrecked the old snow down, exposed
the naked neon junk man broken cars
dead bird and are you free
to where the empty men go no place in their over-coats
to where old clothes, a wheel, a broken doll,
a clock with mangled hands
lie useless in the snow and he will take you down.

He will show you down the basement stairs to where
his careful notions of distracted light
burn green, blue bending red. An unmade bed,
a broken chair and paints lie scattered.
He will offer wine in paper cups and he will offer
visions in a sketch-book, page by page, the holy visions
burning in a slowly turning brain.

And are you free this evening?
He longs and lingers for conviction.





Thursday, July 3, 2008

POEM by ULRICH WENDT

My Hands


Having lived long enough, I look forward to death.
I long for the graceful slide past the hectoring day.
Night on night, I long for the pall.

But my hands. My hands curve.

I have begun to compose the lines of my face
into lines of stillness and comfort,
grateful for my warm bed of soft earth.

But my hands. They are already curving themselves,
fiercely eager to grasp what they find.
Be it clay, they will mould it into a bowl or a jar.
Be it sand, they will shape it for the casting of strong metal.
Be it stone, they will hold it this way or that.

They will place one stone upon the other,
they will build a wall and a gate in the wall.
They will make the gate to swing inward and say
“welcome, come to me!”
And if none should come, they will swing the gate outward
and compel me through it, back into the world.