Thursday, October 25, 2012
Surrey International Writers Conference II
Over a hundred volunteers worked the conference. Maybe that
is why it ticked along like a giant clock.
Sixty authors took part, many well known such as Diana Gabaldon, Jack
Whyte, Robert J. Sawyer, Mary Balogh, and Anne Perry. Nine workshop choices vied for each time
slot.
The bind moggles. How
to decide?
I ended up in “Character Driven Fiction’ led by Hattie
Ephron.
Hattie was dynamic.
She believes fiction flies along with well-drawn characters.
Hattie writes mysteries but, she told us, there’s no mystery
to creating interesting people. Your character
must have a goal. She must have back story which gives her motivation for doing
what she is doing. You have to know everything about her or him– how she dresses,
behaves in various situations, shops, drives, reacst to confrontation.
“Conflict drives fiction,” said Hattie. In the first 100
pages of your novel establish your protagonist and what that character
wants. In the middle, conflict! A
villain appears. Hattie likes a well-rounded villain with believable
motivation. The villain’s goals compete
with the protagonist’s. At the final
section, our main character is transformed and realizes his/her goal (or not,
if we are tending literary.)
At the end of the workshop, Hattie shared her pet peeves
about crime fiction (or crime movies or tv shows). She dislikes:
1. A main character who does dumb things, such as running
into the forest in high heels, failing to call for help etc.
2.A character who gets
arrested for no reason.
3. A character who lies for no reason, keeps quiet about
something important, fails to notice tell-tale signs.
4. A character who forgets to charge a cell phone, gas up
the car, heed the warning (“Don’t go into the abandoned ware-house, Mary”),
return the call, read the message and so on.
An amusing end to a useful session.
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