Over the course of my time in Thunder Bay, trying to get a feel of the local writing scene, I have picked up various publications and occasionally found myself reading a John Pringle short story. Given that they’re usually the best of the best writing that the region has offered me, I picked up The Truth Ratio without hesitation, assuming it would contain more exceptional tales. To my delight, it does.
To begin with, I will admit I wasn’t in love with the stories. Yes, everything was enjoyable and competent, but it wasn’t until Fragments – which, incidentally, isn’t particularly far into the collection – that Pringle really starts to showcase the immensely creative ways he can tell a story.
As the collection progresses, not only does a diversity in writing become clear, but, if you look carefully, you start to be able to see many of the greats in the Pringle’s style: the evocative prose of Burroughs; the bleak, but hopeful, voice of Kerouac; the structure and presentation of Vonnegut.
What comes across is an author who is very well read and works hard to perfect his craft.
While I didn’t absolutely love every story as I did with a few – far and above the rest was definitely Seeds – I liked them all. There’s no doubt in my mind that Pringle is the most talented writer in the Thunder Bay region.
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